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They got all the high tech and all that kind of stuff. And what's really cool and challenging and vintage about it is you have to do it the old school way. It's not the computer on the camera thinking all this crap up, it's you thinking this stuff up and trying to get the right shot. And then once you get into post-production, just trying to pull the exposure and the contrast and the highlights and the shadows and the whites and the blacks and the temperature and getting the picture as best as you can. Now, when I first got this picture, this one that I'm looking at that I think is pretty cool, my grandson is actually running with the ball, it wasn't good at all. I mean, there was a lot of stuff, so I had to denoise it, adjust it, mask it, bring up the exposure with the people and bring down the colors in the background. It was a sunny day. I was shooting into the sun. A lot of things. So this is the challenge of doing this kind of stuff. And old cameras rock, man. Even my full fan camera is, that's a micro four-thirds of the Olympus, but my other camera is full frame. And it's a seven-year-old camera that I bought used through the Canon website. And it's a pretty good camera. Another one that doesn't really do sports very well, but that's what I like. I like older cameras. In fact, I was taking a look at one the other day. It was actually a