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already there for FM broadcast live of the Chicago Symphony, they just put a ribbon mic behind it so that then put that directly into the subcarrier so that the sounds that were you know to the left, that lobe is in phase with the monorile microphone so you hear things that are to the left and the opposite for the right side. It's true stereo but the axes are rotated 45 degrees instead of left right channels. If you imagine them geometrically perpendicular to each other, mid sides is where one is monorile and the other component is differential. Great recording technique for several people on microphones because you could just add that sideways microphone there in the room and bring it in as much or as little as you want but suddenly the room opens up into a monorile, it's pure flic leak pure broadcast, you know, mono.