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created a special format, a film format, in anticipation of HD and digital video, but nobody knew what the standard was going to be. So they shot it in a format called Super 16. And Super 16 had a wide aspect ratio. It had just one sprocket on one side. So it had one roll of holes. And on the little tiny edge between the sprockets and its near edge, they have a SIMPTY track, an optical SIMPTY track, a society of motion picture and television engineers, folks. You want a SIMPTY means? And there's no oddity or anything, just a SIMPTY track. And the rest of the whole breadth of it, the gate, the frame gate that lets light through onto the film, lets the light shine a whole thing on the whole film. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity. So there's no oddity.