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The answer is no. We are going to draw the line right there. We're going to go back up to the top of this list. We're going to hear from our first recheck of the night and KA9-EHC. Back to you. Good evening Ben and thanks for putting up with the recheck. I wanted to comment about Keys because this actually is an interesting discussion. Since Elaine is in there, she's another musician and I think there's at least one other musician who's checked in. So the reason that Keys matter for this particular album project is that I'm playing a harp that's only going to range about 3 1-2 octaves. It's 25 strings. And it thus has a limited number of things you can do for contrast. So it's interesting. It doesn't matter whether you're playing background music or putting together an album or playing a concert. The music moves forward by increasing tension, increasing tempo, or contrasting tempos and contrasting keys. On a small harp, changing keys is often the only way that you can usefully change the range of the harp you're playing. So a lap harp can sound awfully high and whatever if you play in one of its mid-range keys all the time because it'll take notes clear into the upper octave. A lot of people don't like that. So the key thing isn't trivial. And so you want to balance. If only you balance the time that you spend in each key. And that may be the clue that I'm waiting for. I have a seven minute whatever saying it's a thing we know of Christmas matched with a jig that I wrote. And that saying is wrong. And it may be enough of a contrast that I can drop something out of that D minor thing without too much difficulty. So I'm just going to play with it. But that's why the key thing matters. And anyway, that's all I had to add. 73 73 88. Love you all. This is KA983 back to net.