{"ai_pass_count":5,"analysis_step_count":14,"confidence":0.7394419945776463,"created_at":"2026-07-08T19:18:07.437739+00:00","id":150629,"node_number":"683211","processing_time":3.14072322845459,"recent_steps":["net.store_session","net.llm_structured_analysis","net.rules_detect","net.context_window","net.store_session"],"recording_id":153124,"text":"But I have a thing in my browser that lets me change videos to black and white if I want to. Sometimes I like to see, I'll see something like that looks nice and it would look graphically. Anyways, then I like black and white photography so sometimes I'm looking at color into black and white. It kind of helps with the mind's eye and black and white. Anyways, that was on. And before we started the movie, Ken had mentioned the color palette was interesting. I like changes throughout the movie. So we watched the first hour and a half of the movie in black and white before he got to a planet. And there was some really bright colors there and that broke through the black and white filter. And I was like, wait a minute, this is not right. So Project Hail Mary, great movie, I recommend watching it in black and white as well. It was actually really good in black and white. Yeah, so that's about it. As I mentioned, I'm working on that light for the landscape, so I have my motorcycle light. And yeah, that's it. This is Alec KF-70."}